麻豆社

Can Radio Drama Unite Myanmar?

Is drama the key to uniting citizens in Myanmar? And using humour with a global audience.

• 10 mins

A Reporter's Role in Political Documentaries

Do politically challenging documentaries change the role of the 麻豆社 reporter?

• 10 mins

Does Video Streaming Enhance On-Air Broadcasts?

Recent visualisation trials on the 麻豆社 World Service; the 麻豆社's archive of war reports

• 9 mins

African Commentary of the English Premier League

How does commentating on English Premier League football change for the African audience?

• 9 mins

Focus on Asia

Does the 麻豆社 World Service need to expand the depth and range of its coverage on Asia?

• 9 mins

Proposals for 麻豆社 World Service Expansion

What would suggested proposals for new services in Russia and North Korea mean for you?

• 9 mins

麻豆社 Proms in the Spotlight

Did the coverage of the 麻豆社 Proms 2015 resonate with the global audience?

• 9 mins

The Origin and Future of FOOC

On its 60th birthday 鈥� the producer of From Our Own Correspondent answers your questions.

• 9 mins

Young Audiences: What they Want

What do younger listeners based around the world expect from their news broadcaster?

• 9 mins

Art of Debating

Listeners explore the pros and cons of 麻豆社 Africa鈥檚 Debate on extreme Islamist violence

• 9 mins

Comedians, Documentaries and More Music on 麻豆社 World Service

What does a comedian鈥檚 unique perspective and insight bring to a historical documentary?

• 9 mins

Restrictions in North Korea

Were 麻豆社 reporters restricted in their reporting of North Korea鈥檚 recent celebrations?

• 9 mins

Reactions to the Debate on FGM

The 麻豆社鈥檚 handling of a future debate on FGM, and rare voices on the network.

• 9 mins

Discovering Waithood

Tackling the global phenomenon of waithood - the passage to adulthood in the 21st Century

• 9 mins

Myanmar Election Coverage from Youth Radio

How are young radio broadcasters in Myanmar covering their landmark election?

• 9 mins

Reporting the Paris Attacks

Listeners give their reactions to the reporting of the terrorist attacks in Paris

• 9 mins

Is News Failing Women?

Do media outlets fairly represent women both in front of and behind the microphone?

• 9 mins

World Service Funding Boost

What should a new a cash boost of 拢289 million be spent on?

• 9 mins

Relating to Experiences of Migration

Emotional responses to a series of intimate conversations on the experience of migration

• 9 mins

Cultural Frontline

Why has the World Service dedicated a new series to exploring culture around the world?

• 9 mins

The Value of Music on the World Service

Is the global audience welcoming or rejecting the new music programmes on the network?

• 9 mins

麻豆社 World Stories Project

The World Stories project launches search for unique and surprising stories to commission

• 9 mins

The Visualisation of Radio

麻豆社 World Service editor Simon Peeks explains how visual information can enhance radio

• 9 mins

Reporting on Bowie, and Repeats on World Service

Are there too many repeats on 麻豆社 World Service? And, reactions to Bowie coverage

• 9 mins

Naming the 'Islamic State Group', and America In Black and White

Daesh, Islamic State, ISIS or ISIL - how should the 麻豆社 refer to the Islamic State group?

• 9 mins

Islamic State or Daesh?

麻豆社 outlines its position on how it refers to the terrorist group based in Syria and Iraq

• 9 mins

Public Health Information and Responsibility

Striking a balance between empowerment and raising concern with public health information

• 9 mins

The Cultural Frontline On Coldplay

A look at The Cultural Frontline鈥檚 handling of the furore over a pop video set in India

• 9 mins

Reporting Sensitive Material

Veteran journalist Robin Lustig on hard line interviewing and reporting sensitive content

• 9 mins

The EU Referendum on 麻豆社 World Service

How does the 麻豆社 World Service cover the EU Referendum without excluding non EU-members?

• 9 mins