麻豆社

Discovering Waithood

Tackling the global phenomenon of waithood - the passage to adulthood in the 21st Century

• 9 mins

Myanmar Election Coverage from Youth Radio

How are young radio broadcasters in Myanmar covering their landmark election?

• 9 mins

Reporting the Paris Attacks

Listeners give their reactions to the reporting of the terrorist attacks in Paris

• 9 mins

Is News Failing Women?

Do media outlets fairly represent women both in front of and behind the microphone?

• 9 mins

World Service Funding Boost

What should a new a cash boost of 拢289 million be spent on?

• 9 mins

Relating to Experiences of Migration

Emotional responses to a series of intimate conversations on the experience of migration

• 9 mins

Cultural Frontline

Why has the World Service dedicated a new series to exploring culture around the world?

• 9 mins

The Value of Music on the World Service

Is the global audience welcoming or rejecting the new music programmes on the network?

• 9 mins

麻豆社 World Stories Project

The World Stories project launches search for unique and surprising stories to commission

• 9 mins

The Visualisation of Radio

麻豆社 World Service editor Simon Peeks explains how visual information can enhance radio

• 9 mins

Reporting on Bowie, and Repeats on World Service

Are there too many repeats on 麻豆社 World Service? And, reactions to Bowie coverage

• 9 mins

Naming the 'Islamic State Group', and America In Black and White

Daesh, Islamic State, ISIS or ISIL - how should the 麻豆社 refer to the Islamic State group?

• 9 mins

Islamic State or Daesh?

麻豆社 outlines its position on how it refers to the terrorist group based in Syria and Iraq

• 9 mins

Public Health Information and Responsibility

Striking a balance between empowerment and raising concern with public health information

• 9 mins

The Cultural Frontline On Coldplay

A look at The Cultural Frontline鈥檚 handling of the furore over a pop video set in India

• 9 mins

Reporting Sensitive Material

Veteran journalist Robin Lustig on hard line interviewing and reporting sensitive content

• 9 mins

The EU Referendum on 麻豆社 World Service

How does the 麻豆社 World Service cover the EU Referendum without excluding non EU-members?

• 9 mins

How Clear is Your 麻豆社 World Service?

We look at how to clear up reception issues across the globe

• 9 mins

Reporting the European Migrant Crisis

Listeners question how the 麻豆社 are covering the latest development for migrants in Europe

• 9 mins

My Perfect Country

My Perfect Country presenter Fi Glover responds to listeners' comments about the series

• 9 mins

Outlook and Extraordinary Stories Around the World

Presenter Jo Fidgen and producer Richard Hooper on extraordinary stories around the world

• 9 mins

Did the 麻豆社 World Service Go Bigger on Brussels?

Did the 麻豆社 World Service pay as much attention to Brussels as it did to Lahore?

• 9 mins

Launching the Identity Season

A behind-the-scenes look at the 麻豆社鈥檚 new month-long season on Identity.

• 9 mins

The Elements

Do science lessons on the world鈥檚 chemical elements work on the radio?

• 9 mins

Picking the Panel on Newshour Extra

How do debate programmes ensure their invited panel behave themselves?

• 9 mins

How Does The 麻豆社 World Service Handle Religion?

麻豆社 World Service commissioning editor responds to claims of bias against certain faiths

• 9 mins

Reporting on Children as Suicide Bombers

Is it right to use the term Suicide Bomber when referring to a child?

• 9 mins

Football: How Much is Too Much?

Did the amount of coverage on Leicester City鈥檚 win have listeners switching off?

• 9 mins

When is a News Story not a News Story?

The Newsroom editor responds to listeners鈥� claims that a certain story wasn鈥檛 news worthy

• 9 mins

Global Audience Rise

The 麻豆社鈥檚 weekly global news audience increases to a total of 348 million

• 9 mins