麻豆社

Writer Hanif Kureishi looks back on how his semi-autobiographical novel The Buddha of Suburbia became one of the defining 麻豆社 dramas of the 1990s. He discusses the ways in which it set new standards in representing multicultural Britain, the importance that humour plays in pushing forward serious ideas, and what it was like working with his musical hero, after David Bowie unexpectedly suggested that he write the soundtrack.