麻豆社

Male Speaker: I was born in 1937 and my parents had a wind-up gramophone, and a number of old 78 records, which they just loved. And they used to push the carpet aside of an evening and dance together. Sometimes by themselves, sometimes with friends. And of course, the dances were all waltzes, or slow foxtrots, or quick steps. The one they really loved, I think, was The Way You Look Tonight.<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />

[鈥淭he Way You Look Tonight鈥漖

My sister was three years older than I was. I must have about five, and she was maybe eight. Anyway, we were playing one afternoon with the records and the wind-up gramophone. And, we dropped one of the records and cracked it in half. Gosh knows, it turned out to be The Way You Look Tonight. The very one of all that we knew was dad鈥檚 favorite. So, we ran to my mother and said, 鈥淲e鈥檝e broken daddy鈥檚 favorite record!鈥�

And she said, 鈥淎lright, don鈥檛 be so upset. Don鈥檛 cry. Don鈥檛 cry.鈥�

Oh, we were inconsolable. 鈥淗e鈥檒l be so upset. He鈥檒l be so angry. And we鈥檙e so unhappy about it.鈥�

And eventually she said, 鈥淲ell look, I鈥檒l tell you what I鈥檒l do. I鈥檒l tell him that I did it.鈥�

And at the same moment, simultaneously, my sister said, 鈥淏ut you can鈥檛. It鈥檚 a lie!鈥�

And I said, 鈥淲ill you really?鈥�

That really shows the difference between my sister and me. I felt she was bit of a prude and I was a bit more of a pirate.

[0:01:55.4]

Charlotte Greenspan: The Way You Look Tonight was written my Jerome Kern and Dorothy Fields for the film, Swing Time. Which, was released in 1936.

I鈥檓 Charlotte Greenspan. I鈥檓 Dorothy Fields鈥� biographer.

It鈥檚 a love song that Fred Astaire sings while Ginger Rogers is in another room. She鈥檚 about to wash her hair. He pretends to go out of the room. But then, instead of leaving, he sits down at the piano and launches into The Way You Look Tonight. She鈥檚 so moved by the song, she just sort of floats in with her hair full of shampoo, touches his shoulder, then she catches a glimpse of herself in a mirror.

[鈥淭he Way You Look Tonight鈥漖

[0:03:03.1]

Male Speaker: I have a very nice grand piano now, at my home. And very often, we have as many as 18 or 20 people there. And after supper, we usually get into the living room and someone says, 鈥淥h come on, Michael, play the piano.鈥� So, we play a lot of the old musicals. I know them very well from so many musicals that I鈥檝e directed myself. And The Way You Look Tonight is always on the program.

[performing 鈥淭he Way You Look Tonight鈥漖

It鈥檚 not only me. Everyone seems to love that song. And a lot of people like to sing. Some people like to just sit and listen. And people cry.

I have a feeling it鈥檚 something about the last verse. It鈥檚 the line, 鈥淟ovely, never, never change. This moment,鈥� he says, 鈥渓et鈥檚 keep this forever.鈥� I find that both very moving and also just sad. But as he says, 鈥渘ever, never change,鈥� knowing perfectly well that that鈥檚 impossible. It鈥檚 been so long- 60-70 years- since that incident I told you about. But, I do think of my old mom and dad. Dad was a wonderful dancer and danced with great joy, actually. And, my mother was diminutive, red-haired, and very, very beautiful. And they danced like one person together.

[0:05:18.8]

Charlotte Greenspan: Dorothy Fields was- not unique, but certainly very unusual as a woman songwriter in this era. She was certainly the most successful woman songwriter, one of the most successful lyricists, period. By the time Swing Time came along, which was 1936, Dorothy Fields and Jerome Kern had known one another and had been working together for almost three years. Dorothy said that when Jerome Kern played the melody for The Way You Look Tonight to her, she burst into tears because it was so beautiful. She had to leave the room.

It鈥檚 a song with a lot of mystery in it. It鈥檚 full of love and loss. And yet, it鈥檚 not sad. The lyric is very straightforward. It has mostly words of one syllable. Just one word of three syllables- tenderness. And, there鈥檚 all kinds of unexpected internal rhymes.

[speaking lyrics over 鈥淭he Way You Look Tonight鈥漖

鈥淪ome day, when I鈥檓 awfully low, when the world is cold,鈥� and that鈥檚 a sort of internal rhyme of low and cold. 鈥淚 would feel a glow just thinking of you.鈥�

鈥淲ith your smile so warm, and your cheek so soft, there is nothing for me,鈥� rhyming warm with for me. 鈥淏ut to love you just the way you look tonight.鈥�

鈥淲ith each word, your tenderness grows, tearing my fear apart.鈥� Ts line up, tenderness and tearing.

Apart rhymes with heart.

鈥淣ever, never change鈥� won鈥檛 you please arrange 颈迟?鈥�

Quite an amazing bit of wordplay in a lyric that comes out feeling as natural as can be.

[0:08:36.6]

Sarah Woodward: My name is Sarah Woodward, and I鈥檓 an actress. And, my father was Edward Woodward. I think, growing up, if you鈥檙e my sort of age- in your fifties- you never forget how important and celebrated Morecambe & Wise shows were. Especially the Christmas shows. Everybody watched them. Whatever age, you just could not wait. It was so excited. That particular Morecambe & Wise Show, I think, was 1970. So, I was seven at that point. But, I do remember thinking at the time, when I watched it, that he was being quite embarrassing. I didn鈥檛 enjoy watching him when he was talking to Eric and Ernie. I remember thinking, 鈥淟uckily, he鈥檚 going to sing and that will be fine.鈥�

Ernie Wise: Ladies and gentlemen, here鈥檚 Mr. Edward Woodward to sing for you, The Way You Look Tonight.

Eric Morecambe: That鈥檚 the one that goes鈥� [hums]

Ernie Wise: You know it?

Eric Morecambe: No, I don鈥檛 know that one.

Sarah Woodward: And then out comes this incredible, pure, angelic voice. When he sang, he was ageless.

[Edward Woodward performing The Way You Look Tonight]

[0:10:44.3]

Sarah Woodward: He died five years ago. Can鈥檛 really get to grips with it, even after five years. Seems crazy that he鈥檚 not still there when I need him on the phone. I think of all the things my father did, I feel more connected to him when he鈥檚 singing. It鈥檚 something else. It鈥檚 something鈥� other. Maybe, yeah, the voice is closer to the heart.

[Edward Woodward performing The Way You Look Tonight]

Rick Archer: My name is Rick Archer. I am a retired dance instructor. In 2010, I thought it might be fun to teach dancing on a cruise ship. So, hired on with my wife, Marla. When my brother-in-law, Neil, heard about our trip, he asked Marla if she minded if he tagged along with his wife, Ellen. And of course, Marla said that would be awesome. So, the four of us are on this cruise trip. Well, it turned out, we ran into hurricane force winds. We never made it to Egypt. The captain just gave up and headed to Malta.

So, we鈥檙e wandering through downtown Valletta, and we see this most beautiful hotel. So, we go into the Hotel Phoenicia. Neil starts telling me about the history of Malta. And, he tells me about how the RAF fought off the Italian air force. That conversation I had with Neil was the first time I had ever been able to be close to the man. And, for him to talk to me like a brother. The problem for Neil was that early in his career, he served on America鈥檚 first nuclear submarines. Everybody in Neil鈥檚 unit literally had died of cancer when he was diagnosed with cancer just six months after our trip. And, he died within six months.

Five years later, my wife, Marla, booked us on a cruise from Istanbul to Rome. We end up in Malta again. Same dock. And, I tell Marla that I鈥檇 like to go back and visit downtown Valletta. And she says, 鈥淎re you out of your mind? We鈥檝e been there before. I just want to take a shower and relax.鈥�

And I said, 鈥淚 know, Marla. But, this is the place where I last saw Neil. And, my best memory of Neil is that hotel.鈥�

Well, Marla just got very silent. And she says, 鈥淥f course. I forgot. I forgot how important that day was to you.鈥�

It takes us an hour to reach the Hotel Phoenicia. And I wrote a little message to Neil. 鈥淣eil, wherever you are, we miss you and we love you.鈥� And we took a selfie. After Marla takes that picture, she just falls apart. She鈥檚 just crying her head off, because she鈥檚 lost her brother and he鈥檚 such a wonderful man. It reminds her so much about the visit to the same hotel 5 years ago and how happy we were. And how things can change so quickly.

And, I was done. That was it. I was ready to go back to the ship. But, just as we took a step, we hear music coming from the hotel. And, there鈥檚 a three-piece band playing dance music. Well, I say, 鈥淟et鈥檚 go dance to it.鈥�

And she says, 鈥淎re you out of your mind, Rick?鈥� She says, 鈥淟ook at us.鈥�

So, we鈥檙e standing in the doorway. Marla鈥檚 wearing a corduroy jacket and jeans. I鈥檓 wearing jeans and a pullover with a hood. And, I鈥檓 wearing hiking boots, and she鈥檚 wearing her running shoes. She says, 鈥淎re you crazy? And besides, there鈥檚 a guard staring at us, and he鈥檚 not going to let us in.鈥�

Marla鈥檚 not happy about my idea, but the music鈥檚 good, and I can see she鈥檚 weakening. So, I take her hand and half guide her, and half drag her into the room. And, that is when the song came on. The band played The Way You Look Tonight.

[The Way You Look Tonight]

And, I looked at Marla and said, 鈥淐ome on, honey. Let鈥檚 dance.鈥� And everyone鈥檚 frowning. We鈥檙e the only people in the room dancing to this song. But, we don鈥檛 care. At least, I don鈥檛 care. I want to dance. So, we start to dance. And suddenly, all the frowns change because we鈥檙e wonderful.

This music is right up my alley. I鈥檝e been dancing for 40 years. I do turns. We do the box step, and intricate in and out patterns. We鈥檙e very graceful. And suddenly, people start nodding like, 鈥淥kay, they don鈥檛 look very good. But they sure can dance.鈥�

When suddenly, in the doorway, two people appear. It is the guard again, and he has found the hotel manager. At least, I鈥檓 sure the lady was the hotel manager. And she looked about as grouchy as she could be. Well, I just kept dancing.

The funniest look came over her face. So, with her looking at us, I took Marla in the most beautiful dip and just held her there. Then, lifted my eyes to make eye contact with the manager. Kind of like, 鈥淐an we stay?鈥� And she had the biggest grin on her face. So, I waved at her, and she nodded back to me. She gave us permission to stay, obviously. We had won her over with our dancing. So, from that point on, we just danced to every song they played. And we had the best time.

My wife and I walked back to the ship smiling, holding hands, cheerful. It was pretty sweet. It was pretty sweet how such a crummy day turned into something so wonderful. I guess it was a surprise. It was this magic moment for both of us. To take all that darkness, all that frustration, and that sense of loss, and you let the music turn the day into something beautiful.

[0:17:57.8]

Matthew VanKan: I鈥檓 Matthew VanKan. I鈥檝e sung since I was about four years old. And, I always had dreams of it being my career. We recorded a demo album, and it was being taken around the record labels. And, I went away on holiday. I鈥檇 written a lot of this material with my sister, who also sings. And, I came back from holiday and she said, 鈥淲e need to go for a drink and have a bit of a catch up so I can fill you in on what鈥檚 been happening while you were away.鈥� And basically, she told me that a management company that were interested. And they loved the music, but they didn鈥檛 get the whole brother-sister thing, so ditch the brother.

That felt like just one blow too many, so I gave my sister my blessing and I decided to stop trying. I was picking up work part-time in bars and things. But, I also worked part-time for this girlfriend of mine, Karen, who ran a travel company. When I made the decision to stop singing, I think she recognized that there was an opportunity there for her to offer me a lifeline, and it was a permanent position. And I seized it with both hands, because it just felt like it was security.

But, I was sitting at work one evening. Everyone else had gone home and I was doing an administration job that you do every year. I was sitting there one evening and I was thinking, 鈥淚 can鈥檛 do this for the rest of my life.鈥� So, Karen had this big birthday coming up. And I knew it would mean a lot more to her, me performing in a surprise setting, rather than organizing a band or live music. Because, she knew I had given up on music as a career and hadn鈥檛 really performed live for quite a few years.

I knew that one of her favorite songs was Just The Way You Look Tonight. The entrance to the bar was behind these heavy curtains. So, everybody was inside, including the pianist, and I was with Karen. So, we arrived together. The pianist was playing just some background music. And then, I went over to the piano, to the microphone and said, 鈥淜aren, this one鈥檚 for you.鈥�

[Matthew VanKan performing The Way You Look Tonight]

I just remember her being so touched. I just remember the hotel manager coming up to me and asking me if I performed anywhere else. And, when I said no I didn鈥檛, but I鈥檇 love to, he asked me if I would come back and entertain hotel guests on a monthly basis. And, I was gob-smacked. So, since that party, I鈥檝e gone on to have a residency at the Grand Hotel in Brighton for- I鈥檓 in my fifth year. And, we had a residency at the Savoy, performed for Prince Edward鈥檚 50th birthday party in the company of Her Majesty, The Queen, and the royal family at his home. And, I don鈥檛 have a day job. I鈥檓 just a singer. The song really did give me my second chance, and I haven鈥檛 really looked back.

[0:22:11.5]

Mel Chua: My name鈥檚 Mel Chua I鈥檓 an engineering education researcher, and I live in Boston. I鈥檓 profoundly deaf. I was born hearing, but lost my hearing when I was two years old. I鈥檓 also a musician. Being deaf doesn鈥檛 mean you can鈥檛 hear at all.

Sarah Bareilles is one of the artists that I really enjoy. So, when I hear she was putting out a new CD and there was going to be a concert tour, I decided what a great opportunity to go and see her live in concert. I bought the tickets a bit over a month in advance of the concert. And, I figured that I better study for this concert, the same way I pretty much study for all of the music that I鈥檓 involved with. I got the CD in the mail. And for the next month, I would spend pretty much every moment I was driving in the car listening to that CD on loop.

And quite honestly, the first time I put it in and turned it on, it sounded horrible. And so, I just kept on listening to the CD on loop, on loop, on loop, until I basically memorized the cord structure, the transition, the percussive elements that I could hear, the vocals, the melody line. And, it was kind of cool, because once I figured something out, that part would snap into my memory. And so, there was a point in time where the rhythmic static at the beginning resolved itself into piano chords. Not because I could perceive more frequencies, not because I was hearing more sound, but because my brain had learned, 鈥淥h, I know how to make sense of this now.鈥�

Going in, I was pretty excited, like any other young person would be, going to a concert with one of their favorite artists. I was going, 鈥淥h man, I鈥檓 going to see you in concert. This is going to be awesome!鈥� And then, when she walked out and she started playing the music- and I鈥檓 sitting there, I鈥檓 trying to figure out which song this is. Which song is this? I鈥檓 pattern matching which song. And, the kick drum starts. I hear the beat and go, 鈥淥h, that鈥檚 the drum part of Chasing the Sun.鈥� And I sort of pulled up that file from my memory and loaded it. Then, all of the pieces clicked into place and I was inside the song.

She played song after song, after song. And, I鈥檓 just sort of beside myself because I figured out how to get myself inside what sometimes feels like a locked door. And I鈥檓 going, 鈥淵es! I did it. I鈥檓 in.鈥� And then, there was a point in the concert where the piano started doing this thing that- 鈥淭his isn鈥檛 on any of her CDs. I don鈥檛 know what this song is.鈥� So, there was this moment of panic, like when you鈥檙e taking an exam and you hit the question on the test and you realize, 鈥淥h no, I didn鈥檛 know I was supposed to study for that.鈥� This is going to be the part of the concert where I more or less sit out.

It was part way into when she had started singing and melody and the chords started making sense. And then I realized, 鈥淣o, I have studied for this. I didn鈥檛 know I was studying for it.鈥� By growing up in my family and sitting in my parents鈥� cars, they repeated subjected us to Frank Sinatra. I鈥檝e studied for this. I know this song too. And, that felt like I had been preparing for it since I was a child.

After the concert, I was definitely on a concert high. I was kind of walking out of there going, 鈥淎h! I鈥檝e just spent all this time inside a concert hall with awesome music. Oh man!鈥� And I just wanted to spin around in circles on the streets of Manhattan and be really happy, and eat tacos from a food truck cart, and be young and giddy and outside late at night. That concert wasn鈥檛 heaven, but it鈥檚 something that helped me understand what heaven is.

One of the things that I love most about music is that it makes time stop for me. It鈥檚 a sequence of sounds that are playing in time, but it makes me stand outside of time. It鈥檚 been heard by other people in the past, maybe people you care about, or people you鈥檝e never met. But songs collapse time for me. It just rips through that space-time continuum. So, if I hear The Way You Look Tonight now, I鈥檓 not really thinking about past moments, I鈥檓 just inside the song. But in being inside the song, I鈥檓 inside all of the moments that I鈥檝e been inside the song. So, it鈥檚 not going to the past, and it鈥檚 not visiting the future, it鈥檚 stepping outside of time and having all of those moments in time being joined.

PROGRAMME ENDS