麻豆社

In a segregated US, black audiences, entertainers and entrepreneurs established their own network of live performance venues known as the Chitlin鈥� Circuit. Concentrated primarily in the Deep South, it provided many pioneers of modern music with the platform to hone their craft and perfect their style as they travelled the country.

Virtually every notable African-American performer from the '30s to the '60s graced the circuit. The roster almost reads like a 鈥榳ho鈥檚 who?鈥� of black American musicians of this period: Ray Charles, Little Richard, Tina Turner, Sam Cooke, The Jacksons, Billie Holiday, John Coltrane, Jimi Hendrix - the list goes on.

The venues would vary as much as the entertainers who graced them. From famous urban institutions like The Apollo Theater in New York or The Howard Theatre in Washington D.C, to a run-down barn on a country back-road.

It was in these settings, amidst a backdrop of segregation, that the sounds of rhythm and blues and rock鈥檔鈥檙oll emerged and evolved, long before they captivated the world.

Fresh from his second Grammy in four years, the 鈥淜ing of the Chitlin鈥� Circuit鈥� bluesman Bobby Rush is now over 85 years old, and has spent most of his life since the early '50s, touring and performing to black audiences in these same locations.

In this documentary, with his harmonica in hand and the help of Little Richard, Mary Wilson, B.B. King, Lou Rawls and others, Bobby shines a light on a hugely influential network of venues that paved the way for rock鈥檔鈥檙oll and shaped music history.

(Photo: The opening gala of the historic Howard Theatre in Washington, DC on April 12, 2012. Credit: Eva Hambach/AFP/Getty Images)