The sea shanty star and anxiety attacks
The Wellerman singer and TikTok phenomenon, Nathan Evans, opens up on Access All's podcast.
Remember the ridiculously popular Wellerman song? This week, the 28-year-old star behind the sea shanty, Nathan Evans, joins presenters Nikki Fox and Emma Tracey to talk about his mental health.
Anger against the government and rail authorities is hotting up. Sarah Leadbetter is taking legal action over plans to close railway ticket offices across England which disabled people say will hit them the hardest. Sassy Wyatt from Blind Girl Adventures talks about how her independence and confidence will go if the ticket offices get shut down.
Plus which airports provide the best assistance? The CAA has ranked them for this year, listen in and see if you agree which one is best and which is worst.
Recorded, mixed and polished by Dave O'Neill, produced by Beth Rose, Keiligh Baker, Natasha Fernandes and Emma Tracey. The editor was Damon Rose.
Also available as a transcript and on 5 Live on Monday mornings, bright and early. You can also say: "Alexa, ask the 鶹 for Access All" to your smart-speaker. Subscribe on 鶹 Sounds, or your favourite podcast service. Email accessall@bbc.co.uk to say hi, or find us on Twitter. If we're not where you are, tell us!
Transcription
20th July 2023
bbc.co.uk/accessall
Access All – episode 62
Presented by Nikki Fox and Emma Tracey
EMMA- My kid was drawing a picture the other day, Nikki...
NIKKI- Yes.
EMMA- ...of Spidermum.
NIKKI- Spidermum?
EMMA- Not Spiderman, Spidermum. It was a mixture I think of me in a spider superhero suit.
NIKKI- Ohhh. I bet you looked good in that.
EMMA- Thank you.
NIKKI- Yeah. I’ve seen you in a jumpsuit.
EMMA- And he was in one room and I was in the other, and he was kind of calling through different bits of the picture that he was doing, and he said, “I’m now just going to do some blind eyes.”
NIKKI- [Sings - blind eyes burning like fire]
EMMA- Anyway.
NIKKI- What do blind eyes look like?
EMMA- I don’t know. I asked him and he said, “It’s just when you see someone on TV and they’re blind, they have blind eyes.”
NIKKI- I don’t know whether you could always tell that, you know.
EMMA- Well, I guess if it’s like a cartoon and someone’s blind, what do they do to their eyes to make them look blind?
NIKKI- I don’t know. Do they do the full Stevie Wonder and put the shade on and that?
EMMA- I don’t know. I said, “Do I have blind eyes?” and he came over and he said, “Yeah,” and he went away and he finished his blind eyes. But I do have blind eyes, I do understand that.
NIKKI- You have beautiful eyes.
EMMA- And I’m not-
NIKKI- No, I know, I know, yeah.
EMMA- And I’m perfectly happy with my blind eyes.
NIKKI- Yes.
EMMA- And I can’t exactly stop them moving around, and nor would I want to stop them moving around, like they do all the time all day every day.
NIKKI- How would you draw [sings] blind eyes?
EMMA- I know how to turn a blind eye, Nikki, but how do you draw one?
NIKKI- [Laughs]
MUSIC- Theme music
NIKKI- It’s another edition of Access All. It’s that podcast from the 鶹 about disability and mental health that you just can’t miss. That’s what it says on the script, Em. I’m Nikki Fox and I’m in London where it’s 22 degrees Celsius.
EMMA- And I’m Emma Tracey, and I’m in Edinburgh where it’s 17 Celsius.
NIKKI- Now if you’re in the US, that’s 72 and 62 Fahrenheit, because we do have a global audience don’t we, Emma.
EMMA- Absolutely, all over the world.
NIKKI- But we are doing quite well weather wise, aren’t we, in the UK. We are thinking of anyone who’s experiencing that extreme heat that’s going on at the moment wherever you are. Now, what’s on the programme today, Emma Tracey?
EMMA- Well I’ll tell you where the temperature is definitely rising, Nikki Fox, and that is on the argument around closing rail ticket offices in England. Legal proceedings and even direct action have been talked about amongst the disability community, I have to say. And later, [music in background] remember when everyone went absolutely wild for sea shanties during lockdown, Nikki?
NIKKI- Yes, I do.
EMMA- Well the man who started it is here with us this week on Access All.
NIKKI- “Ahhhh”
EMMA- We will tell you why later.
NIKKI- We’re very excited.
EMMA- Like, subscribe, tell your fiends about it. We are on 鶹 Sounds, or wherever you get your podcast from.
MUSIC- Music
NIKKI- Now this is a story that’s been hotting up for several weeks, and that is the proposal to close hundreds of ticket offices at railway stations across England. The Department for Transport says it’s about enhancing the role of station workers to get them out from behind their computers and roaming the station where they can offer advice and support to passengers. But lots of disabled people have told Access All they’re really worried about losing a central point of contact at train stations. And now disabled activists, Doug Paulley, who you might remember from last week he was on our show, and Sarah Leadbetter, have applied for a judicial review to look into the consultation process to try and squash the whole idea, as they claim the plans discriminate against disabled people. Sarah Leadbetter has joined us today. Hello Sarah, you’re on the line, aren’t you?
SARAH- I am here. Hello everybody.
NIKKI- Hello. Thank you so much for joining us. We are also joined by Sassy Wyatt. I just love your name, Sassy.
SASSY- Hey everyone.
NIKKI- Sassy, you’re a regular train user, aren’t you, and an accessible tourism consultant. Thank you for joining us too.
SASSY- Thank you for having me.
NIKKI- First let’s get the detail, and there’s no better woman than Emma Tracey. Go for it, Emma.
EMMA- Well, okay then.
NIKKI- That was a build up, wasn’t it?!
EMMA- Train companies are planning to close hundreds of ticket offices in train stations around England over the next three years. Some ticket kiosks will remain in large stations, but elsewhere staff will be on concourses to sell tickets, offer travel advice or give assistance. You might think you’re actually missing something because it’s been a while since your local station has even had a ticket office, and that’s because only three in every five stations currently has one, and only about 12.5% of tickets sold are actually sold via ticket offices, the others have been online or via ticket machines. And it’s not just Sarah and Doug who are worried about these proposed changes. Earlier this week five city mayors, who are all from the Labour Party, announced that they were also preparing a legal challenge.
NIKKI- Sassy, you run the company Blind Girl Adventures, which sounds amazing actually, all about accessibility, and you use trains as well yourself to travel around the UK. We know you’re against this change, but for people that don’t really get it, because the Department for Transport are saying it’s fine because we’re just going to put people on the concourse, what’s the problem? But can you really explain to us why getting rid of the physical office is going to impact disabled people and really affect the kind of assistance that they give?
SASSY- For me and many other disabled people, we rely on the ticket offices because it’s manned by a human, and human contact is what most of us thrive on when being completely autonomous and independent. I have a guide dog and she’s trained to find things like the kiosk, and she isn’t necessarily trained to find the people in hi-vis jackets because that could be any person in a hi-vis jacket. And I am quite terrified of the accidents that have happened to previous visually impaired people that have even lost their lives because there hasn’t been the blister paving to let you know. So if you add all that, that all the stations around the UK and in England don’t have that yet, and then you’re expecting a visually impaired person to quite literally stumble their way around to find a human, then the closure of a ticket office takes away the human aspect of the support and your confidence and independence.
EMMA- What additional help do you use the ticket office for, so besides getting your assistance, Sassy?
SASSY- I use the ticket offices for getting cheaper tickets, because as you mentioned earlier, the kiosk machines don’t always give you the best prices. And as someone that travels continuously using trains for work, I’m not always going to know ahead of time what the best station is, which is the most accessible station, and so by speaking to a human that not only may know their local area, but because they have access to the system when you’re buying the tickets, then it’s really good for you to just have that discussion. One of my favourite things is most people don’t know but if you are visually impaired and you have a Certificate of Visual Impairment, you can get same day returns which is actually 50% off. If you’re with someone who is sighted and they’re escorting you, you could get 50% off any day, any time off-peak travelling, which most people aren’t aware of. But then you can’t get that on a system, on a ticket kiosk.
NIKKI- A lot of people are now being asked to use the Passenger Assistance app, Sassy, to book tickets online. How does that compare to using the ticket office?
SASSY- The passenger assistance app is good. I personally have used it, I’ve worked with them in the past. However, they don’t give you the tickets to buy, the options, they literally just give you the option to book passenger assistance, so you again aren’t going to get any other discounts. You have to pre-book your ticket separately through National Rail before you then use the Passenger Assistance app. Another incident I had on a really personal level was where all my trains were cancelled and delayed going to Heathrow a few months ago, and Passenger Assistance I couldn’t get hold of them. There was nothing on their website or on their app to tell me that all my trains had been cancelled and delayed. If it wasn’t for the ticket staff that worked there in the offices, I wouldn’t have been able to get an accessible way to my onward journey for work.
EMMA- I used the app yesterday and the default place for you to meet a personal assistant is...
SASSY- At the ticket office.
EMMA- ...at the ticket office. [Laughs] As we mentioned earlier, Sarah Leadbetter and Doug Paulley have applied for a judicial review. Sarah, you’re another blindy. Tell us about why you feel so strongly about this that you’ve decided to take legal action?
SARAH- Well for starters, I didn’t actually know there was a consultation happening at my very rural only two platform station. I knew there was a piece of paper on the wall of the ticket office next to the platform at the train station, but I didn’t know what was on it because I can’t read any print. I didn’t know what as going to happen. Then it was read out to me that I was going to get a mobile person that at least once a week will turn up. But I regularly use the trains on theatre, going on holiday, all sorts of things, so that wouldn’t be good enough.
But the thing is, I’m a disabled woman standing on the platform by myself with my guide dog, Nelly, and the thing is, how do I know that the person who’s coming towards me saying they’re a member of staff, is actually a member of staff and not a random person that’s going to harm me and my guide dog? I also need a ramp put down because I had an accident seven years ago. I need a ramp going down because there’s quite a big gap from the platform onto the train, and this is why we need it. But to say people are going to roam and they’re going to do this and whatever, they do that sort of thing anyway, they walk round the station, but you know where they are because they’re always at the ticket office, and it’s accessible for all of us to find.
The thing I’m also worried about, I went to another station and he was doing access, people were crowding round him for information on their trains, and they didn’t realise that Nelly and me were nearly pushed to the edge of the tactile paving and near to the edge of the platform. If a member of staff’s going to be doing tickets, information, access and all the rest of it, that’s going to happen more and more and more.
NIKKI- Is it these kind of points that you’re raising with the courts then, Sarah?
SARAH- It is. Especially that the consultation is unlawful because the website isn’t accessible. Each train company is putting different wording into their consultation, different language, it’s very, very complicated, and you haven’t got a clue. It’s pages and pages. And if you like using screen reader, it’s very hard to go through all these pages, it’s a PDF. It’s not available on every single alternative format, like I need audio, or people might need Easy Read or Braille or BSL or anything like that, it’s not available in alternative formats. It’s not accessible for the people whose voices need to be heard to take part in it, because we’re the ones that use a ticket office and need a ticket office and members of staff to travel on trains safely.
NIKKI- How does all of this make you feel, Sarah, on a personal note?
SARAH- Very, very angry. I got through cancer, I got through shielding, and this makes me feel like why did I train with a long white cane? Why did I get my first guide dog Akiki and now Nelly? It’s taken away my independence, I’ll have to go in taxis or family or friends might drive me around. For example, where I live in my village in Narborough in Leicestershire, I just walk to the station and tell this member of staff I’m there, they get me on the train, I can go into the city centre, I can go all the way across the country from two platforms, and that’s going to be all taken away and I’m going to be isolated/excluded and it’s against my human rights. But they’re just going to exclude us and exclude me travelling like everybody else does, and it’s totally and utterly disgusting and it’s totally and utterly wrong.
EMMA- And you’ve been applying for a judicial review as well, as we said.
SARAH- Yeah.
EMMA- What happens in terms of that, is that a waiting game?
SARAH- It is a waiting game. And then it’s been put forward. I’ve been doing these judicial reviews so many times for different things. You wish you don’t have to, but you have to be that voice for people that can’t speak out or don’t know how to do it, and if you can’t get anything done, you have to do judicial review. The lawyers will put this forward and ask to have a judicial review, and then once that’s been put forward to the courts you then have to wait for them to come back to you before we can go any further. Then they’ll get all the information together to get going to see whether you’ve got a date to go to court and things like that.
EMMA- As we mentioned earlier, the Department for Transport said this is about enhancing the role of station workers, it’s not about cutting jobs. The Rail Delivery Group also told us this.
FEMALE- Train companies will continue to engage with accessibility and safety groups and take on-board their views during the consultation period. You will still be able to book assistance two hours in advance for your journey, either using the Passenger Assist app, or via a dedicated phoneline available 24/7, and you will always be able to access help and advice from a trained representative. The commitment to 20 minutes turn up and go will be maintained.
NIKKI- Thank you so much Sarah and Sassy. Thank you very much for coming on, it was great.
SASSY- Thank you so much.
SARAH- Thank you ever so much.
SASSY- Bye.
NIKKI- If you’ve got something to say about these plans, please do let Access All know. And the government’s consultation runs until 26th July, so look for it online and fill it in if you want to add your say.
MUSIC- Access All
MUSIC- Sea shanty
NIKKI- I bet that is going to be in your head for the rest of the day now. It’s the pop version of Sea Shanty Wellerman, which was a mega viral hit for today’s guest in 2021. And the man behind the hit is Nathan Evans, and he is with us now, and Emma and I are very excited. Hello Nathan, welcome to Access All.
NATHAN- Hello. How are we, are we all good?
EMMA- We’ve been playing this multiple times in our house the last few days just over and over, and the kids have been dancing round the kitchen. It’s still got it.
NIKKI- I love it. I love it. Nathan’s 60 second long TikTok version has been in people’s heads from as far away as New Zealand and the US, and this young Scottish lad even spent eight weeks at number one in the Singles Charts in Germany. Did you like that, “young Scottish lad”?
NATHAN- I like that. I especially like the “young” part.
NIKKI- What has Nathan been doing since, and why is he popping up on a disability and mental health podcast I hear you ask? We’ll get to all of that soon. But as much as it probably pains you to talk about for the twelfth millionth time probably, we have got to start with Wellerman, Nathan. Why a centuries’ old sea shanty?
NATHAN- It started because someone left a TikTok comment underneath one of my videos. I had been doing requests and taking people’s songs and ideas. I’d put a Scottish folk song up, and someone commented under that saying can you sing this song, it’s a sea shanty. Added it to the list, thought nothing of it, came back a couple of weeks later sang that song, and then underneath that, which got like 1.5 million views, it was the most viewed video, underneath that video the amount of comments people were asking for so many different sea shanties, can you sing this, can you sing Wellerman, can you sing Drunken Sailor? Just so many people. I added Wellerman to the list of songs that I was going to be singing, and then December came and it was time for Wellerman so I just went away and listened to it, recorded it, uploaded it, and then life changed I guess!
NIKKI- You sing it so beautifully. And this was all on TikTok, wasn’t it? Because you’re a huge star on TikTok, aren’t you?
NATHAN- Yeah.
NIKKI- Says the old person here! I actually literally sounded 100 years old then, didn’t I!
NATHAN- I think at the moment I’ve got like 1.7 million followers on TikTok, so just a little bit.
NIKKI- Just a few. Just a few.
NATHAN- [Laughs]
EMMA- And how many views has Wellerman had on TikTok?
NATHAN- I think if I’m right, it’s somewhere between 25 and 30 million.
NIKKI- That is amazing! And from that it was kind of overnight fame, overnight success, which for a lot of people is hard to handle. What was that whole experience like from you, it was like just “bam” wasn’t it? I remember seeing you on The One Show and you were everywhere.
CLIP- Literally the whole studio can’t help but sing along.
CLIP- It’s brilliant is what it is.
CLIP- Nathan, welcome. We are very pleased-
NATHAN- It was good. It was extremely exciting, but it was quite stressful as well because I remember saying to Holly, I was like, “I really want to make this work. Being a musician is like a dream come true.” Coming from TikTok and the video that I came from and stuff, I was like, “I don’t want it to be 15 seconds and then it’s finished,” I said to Holly, “I want to make this a career, and if I don’t make it a career then there’s no point in trying.”
NIKKI- Holly being your wife. Your wonderful wife.
NATHAN- Yeah, Holly being my wife. She’s incredible. She keeps my feet on the ground and keeps me focused.
NIKKI- For listeners that don’t know, what was your career before? You were in, what was it, steel?
NATHAN- Steel, yeah. I was a steel erecter. I would put all the metalworks up for steel structures in buildings. And then I quit that, I think I was unemployed for maybe two months, and then I became a postman for two/three months, and then that’s when Wellerman came out.
NIKKI- And I’m right in saying back then you were worried about money.
NATHAN- Yeah, yeah.
NIKKI- It was more of a difficult time for you financially. And I guess now Wellerman and all the success following that has changed that situation. But I hear a lot of people say when they’ve made it quite quickly they wake up every morning thinking, ‘Oh my goodness, what if it goes tomorrow?’ Do you ever think like that, or are you pretty content now?
NATHAN- No, definitely that’s still a thought I have every single day. I’m just waiting for someone to show up at the door and be like, “Great, I need to take this back, thank you very much.” There’s always a constant like why me question just kind of floating about in the back of your head. It kind of makes me work a bit harder, I guess, to try and make sure that nothing does happen. Realistically no-one’s going to come in and just take everything away, it’s never going to just disappear, but it just kind of pushes you on and drives you on a bit.
NIKKI- We get the pleasure of your company on Access All today, Nathan, because of your mental health. More specifically, you get panic attacks, don’t you, and anxiety. When did all of that start having an impact on your life?
NATHAN- I love performing. Performing is where I like... that is not a job for me, that is just like absolute bliss. When I’m on stage I’m not too bad, but the anxiety is more worse before things, like if I’m doing something new or meeting new people or stuff like that then sometimes it can spike. It’s as if you fill yourself up with false starts and false things and whatever it might be that you’re doing, you big it up a lot bigger than what it actually is, and then you get there and it’s never as bad as what you imagine it to be.
NIKKI- How does your anxiety and your panic attacks present itself and how does it impact your life?
NATHAN- It’s as if I get extremely nervous, so I get really shaky, my breath starts getting very, very short, my hands get all sweaty, I get really warm. It’s as if my thoughts are in each corner in my brain, and it’s as if it’s like hard to reach the corners, if that makes any sense. It’s as if everything’s just scrambled, my head’s a mess and I can’t really think straight.
It’s helped me massively having Holly there and being able to speak to her, because up until about maybe a year or two ago I wouldn’t speak about feelings or about how I felt, I would just kind of work through it and hope for the best and see what happened. But now if I feel like I’m having a bad day or anything, then I speak to Holly, I let her know, and then even just that getting it off your chest it’s so good.
EMMA- And what changed to mean that you started to do that?
NATHAN- I think it was just I needed something, anything that would help just a little bit. Since then I’ve been to the doctors and stuff and I’ve spoken, I’ve got medication and whatever else. I would be upset if I found out one of my close friends or my family were going through the same thing and they hadn’t said anything.
NIKKI- I think it’s probably fair to say that it’s getting less taboo now for fellas to talk about their mental health. Do you feel more confident about talking about your own mental health? Will you carry on doing that?
NATHAN- Yeah, definitely. Definitely. Especially since I’ve had Hunter and stuff and like-
NIKKI- Hunter being your young boy?
NATHAN- Yeah. I’ve got nieces, I’ve got nephews. I love my family, I love my friends, and to think that one of them if they were going through the same thing and they weren’t speaking, or they felt like they couldn’t speak. It’s not nice, and going through it myself I know how it feels, it’s horrible. Me speaking out hopefully encourages other people, even the younger generation, to show them that it’s fine, you can speak. It doesn’t make you any less of the man that you’re going to become, it doesn’t make you any les of a person, nobody thinks any differently of you. Hopefully me speaking out and explaining my experiences and stuff like that, if that helps one other person then I’ve done something right.
NIKKI- Yeah, yeah.
NATHAN- Particularly Holly has been absolutely incredible.
NIKKI- She’s great, that Holly.
EMMA- Yeah, keep her!
NIKKI- Where are you now, because it looks like you’ve got a studio in the background there?
NATHAN- This is my home studio. Cooking up some new tracks and stuff.
NIKKI- Because you are a phenomenal musician, you write your own stuff, don’t you, you write your own music.
NATHAN- Yeah.
NIKKI- You play piano?
EMMA- Guitar.
NIKKI- You play guitar.
NATHAN- Yeah. Play piano, play guitar, yeah.
NIKKI- You have this beautiful voice.
EMMA- I mean I hate when anybody asks me this, it’s like asking a comedian to tell a joke, but if you wanted to sing us a few little bars there, Nathan, we wouldn’t be upset.
NIKKI- Oh no, we wouldn’t.
NATHAN- Okay. It’s got to be Wellerman, right?
EMMA- Okay.
NIKKI- Oh, okay.
NATHAN- I need to grab a guitar.
NIKKI- [Squeeks in excitement]
EMMA- [Squeeks in excitement] Okay, ready?
NATHAN- [Sings a few lines from Wellerman]
EMMA [Claps]
NIKKI- What a voice. I tell you what, that voice of yours is just mince.
EMMA- Beautiful.
NIKKI- Beautiful. Your tone, it just-
EMMA- Yeah.
NIKKI- What’s your new music like then, give us a feel?
EMMA- Pop.
NATHAN- Yeah, it’s kind of like singer/songwriter/pop/folk, kinda. [Clip of a few lines of new song] It’s a little bit of a change, but hopefully a welcome change.
NIKKI- Honestly Nathan, you’re the only reason why I want to join TikTok.
NATHAN- Oh, I love that. That’s done it for me.
EMMA- It’s been an absolute pleasure, thank you so much.
NIKKI- It’s been so nice. We really have been a bit giddy.
NATHAN- Thank you very much. And thank you guys for having me so much, it’s been a pleasure, so thank you.
MUSIC Access All with Nikki Fox
NIKKI- We haven’t read out many messages lately, have we, Ems?
EMMA- No, we have not, and we do love your messages so shall we?
NIKKI- Rory says, I remember that Nikki had the opportunity to “nerd out” he says, with one of your guests about mobility scooters. That was Charleston that came on to talk about homelessness, but he came into the studio in a huffer of a scooter, didn’t he?
EMMA- Apparently. You went on about it for long enough.
NIKKI- It was amazing!
EMMA- What was it about? There was buttons that you were talking about. You were talking about speed. You were talking about the colour. You were talking about the metal. What did Rory say?
NIKKI- Anyway, Rory said and you probably had some FOMO.
EMMA- Fear of missing out.
NIKKI- Yeah. Here’s your chance to nerd out about white canes. I have an Ambutech white cane.
EMMA- Oh yes, know those.
NIKKI- Hello. Do you know it?
EMMA- Yes.
NIKKI- One of those with the hook that you can put in place to stop the string falling into the white cane. What? Okay, I’m lost.
EMMA- Okay. Do you want to stop there and I’ll explain that bit and then you can go on?
NIKKI- Yeah. Go on.
EMMA- You know the way I told you canes are foldy?
NIKKI- Yes, you did.
EMMA- The reason why they can fold even though they’re like graphite or metal or whatever, and the reason why they spring out so strong, is that the four metal pieces fit into each other when they pop out.
NIKKI- Yeah.
EMMA- But when folded, we use an elastic that’s inside the cane, and it goes right from the top of the cane and right to the end where the tip goes in.
NIKKI- The tip.
EMMA- Yes, the tip.
NIKKI- The tip of the cane.
EMMA- Well I’ll tell you what, it’s strong elastic, right, and if like what happened to me while waiting on the tarmac to get on a flight, my son decided to start playing with my cane tip, took it off, the elastic flew up into the cane, all the pieces started falling off, and it was like you’re trying to get your teeth in, you’re trying to get your nails in. I had to get some sort of... what did I get out? I got something out of my bag that I could shimmy-
NIKKI- The thing is, I know what you mean about the cane, it’s like a foldy out.
EMMA- Yeah.
NIKKI- Making it from something that’s sort of folded to an actual cane. Because my nan had a walking stick that did the same kind of thing.
EMMA- Oh, she had elastic in there I can tell you that now.
NIKKI- She had elastic in there, she sure did, my nan.
EMMA- Yeah.
NIKKI- And my goodness, she whipped it out quickly.
EMMA- Did she? Ooof.
NIKKI- Yeah.
EMMA- It’s a good noise. Hang on. Hang on. [Finds white cane]
NIKKI- Oh no, here she goes.
EMMA- Is this a bit nerdy, yeah?
NIKKI- No, it’s not.
EMMA- Are you ready?
NIKKI- I’ll tell you what, if you do that, I’ll do the honker on my scooter.
EMMA- Okay. One, two, three.
NIKKI- Awwh, that’s exactly what my nan’s cane... Cane? She wasn’t blind. That’s what her crutches did, her walking stick did.
EMMA- And that’s the sound of it falling off.
NIKKI- I can see you there on the camera. That’s the elastic, is it?
EMMA- Yes. And if you’re in a waiting room or sitting on a bench somewhere and someone else makes that noise, you’re like, ‘Blind person in the building! There’s another blind person!’
NIKKI- So exciting.
EMMA- It’s like when I was younger when we used to have talking watches, I remember being on the bus with someone for an hour sitting beside them and then they pressed their talking watch, I was like, ‘Oh my goodness, I’ve been sitting beside another blind person for an hour and I never even said anything to them.’ And it ended up being someone I know, of course, because blind people all know each other.
NIKKI- [Snorts/laughs] You make me laugh.
EMMA- Did Rory say anything else?
NIKKI- When I’ve sat next to someone in a scooter I don’t start a conversation.
EMMA- Why?
NIKKI- Unless they want to talk.
EMMA- No, I don’t always start a conversation.
NIKKI- You know I’m like, “Hello”, it’s all smiley, you know me, I smile all the time. Well you don’t see me but you know.
EMMA- I can hear you. I can hear the smile in your voice, yeah.
NIKKI- Yeah, you can hear it in my voice. Yeah, I’m smiling through my gnashers all the time.
EMMA- Yeah.
NIKKI- But I don’t necessarily start, “Oh hello. Hello, how’s your...? Are you on tortoise or are you on hare? What does you horn sound like?”
EMMA- [Laughs] Did Rory say anything else?
NIKKI- Yeah, we need to get back to Rory. I’m sorry Rory, this is the longest email feedback read we’ve ever done, but we’re enjoying it. Right, so I’m slightly lost here but Rory says I prefer to use my cane by the constant contact method. Do you know that?
EMMA- When your left foot goes out, your cane should be in front of your right leg, and when your right foot goes out, your cane should be in front of your left leg, so that your foot is checking what’s in front of you and your cane is checking what’s in front of you the same time from both sides. There are many debates about whether you should swish it left and right, or whether you should tap it. If you tap it, you sometimes pick up more of the echo location signs because it’s making a tapping noise and it’s tapping off the walls. But if you roll it, you’re probably going to cover more ground.
NIKKI- That to me is like tapping your head and patting your stomach or whatever it is you have to do.
EMMA- Tapping your head and rubbing your tummy.
NIKKI- Your coordination must be unreal.
EMMA- It’s kind of like riding a bike, once you can do it, you can do it and you don’t think about it. If you start thinking about it you’ll be wrong leg, wrong side, all everything, and then you’d fall down a flight of stairs and then that would be it really. Thank you Rory for giving me an opportunity to nerd out about canes and being blind.
NIKKI- Yes! Any scooter users want to give me another opportunity, you know, feel free. Email us accessall@bbc.co.uk But now we’re talking about a story that comes up all the time. We’re actually talking about the airport experience. The Civil Aviation Authority or the CAA, they’ve been rating the UK’s 26 biggest airports on the quality of their special assistance service for disabled people since 2014 they’ve been doing it. It’s their attempt to help airports improve in this area. Their 2022-23 report is out today. What does it say, Emma Tracey? Come on.
EMMA- Well, it focuses mostly on the timeliness of assistance, so how quickly they meet you off the plane, how quickly they meet you when you enter the airport, and what happens in-between. Okay?
NIKKI- Hmmm, hmm.
EMMA- 18 airports out of the 26 are now rated good or very good, and that includes Aberdeen and London City Airport. London Luton was the only airport to go from poor to very good.
NIKKI- Hmmm. I’ve put this to them before whether or not they have any teeth, the CAA, to make change really, and I know a lot of other disabled people have said the same thing. But what they would say and what they’ve said to me is that nobody, no airport wants to be ranked worst airport in the UK.
EMMA- Yeah. It’s why they have rating systems on Uber and all those things, nobody wants a two star.
NIKKI- They don’t want the bad press.
EMMA- No.
NIKKI- But for the moment they do believe that this is the best way of improving the standard. So what about those at the lower end then, Emma Tracey?
EMMA- Well, London Heathrow, the biggest of all of the airports, was the worst performing.
NIKKI- Right.
EMMA- It was the only one to be rated poor for the whole year. The CAA said it did make some improvements, but not enough to boost its rating.
NIKKI- As part of the CAA’s work, it’s asked Ann Frye last year, Ann is the government’s Disability and Access Ambassador for airports, to review the current methods and consult with disabled people to improve them. Ann diligently presented her thoughts last summer, but the CAA has said due to a challenging summer it’s not been able to take on any of her advice yet.
EMMA- I’m sure they will take it on.
NIKKI- Oh I’m sure, yeah. I’m sure.
EMMA- I’m sure they will. But well done, Ann.
NIKKI- Blimey. I know that they are looking at doing a similar thing for airlines at some point.
EMMA- A similar rating system?
NIKKI- A similar rating system, thank you Emma Tracey. We’re going to keep an eye on that, we speak to the team at the CAA very regularly. Do you agree with the CAA’s ratings? Could you email us and let us know? Our email address is accessall@bbc.co.uk
MUSIC Theme music
NIKKI- That’s the end of the show, Emma.
EMMA- It is.
NIKKI- We have got to mention though before we go Edinburgh, the Edinburgh Fringe Festival. We’re going to be there, aren’t we?
EMMA- We are. We’re going to be in Dynamic Earth doing a live version of our episode in front of a studio audience. That’s you by the way, you are the studio audience. Go get your tickets on the 鶹 Show and Tours’ website where you can grab them until 23rd July.
NIKKI- They are free. And I am pleased to say that people have actually wanted to come and see us because quite a lot of the tickets have gone, which is nice. But there are a few left. You’ve got until this Sunday the 23rd.
EMMA- Get in quick, go-go-go.
NIKKI- Go-go-go.
EMMA- Yeah.
NIKKI- I’m nervous.
EMMA- Listen, we’ll be back next week, yes we will. But subscribe, press that little subscribe button so that you don’t miss it.
NIKKI- Yeah, I tell everyone to do that. But until then everyone, goodbye.
EMMA- Goodbye.
MUSIC- Theme music
[Trailer for Americast]
PRESENTER- So Sarah, we’ve been asked to put together a trail for Americast. What do you think we should put in?
PRESENTER- Is it too obvious to just say that we’ll be covering all the biggest stories that are coming out of America?
PRESENTER- There is a phrase that’s been bouncing around since the Trump Presidency, which is “LOL nothing matters”. Things that would matter don’t seem to matter anymore.
PRESENTER- I think that works. But it’s not just that, is it, we need to talk as well about the undercover voters’ investigation, what’s happening online, what everyone’s getting in their social media feeds.
PRESENTER- What they allow us to see is what someone who has a specific set of views or is from a specific demographic or a specific place, might be seeing on their feeds.
PRESENTER- And of course we’ve also got to mention all the amazing guests and experts that we have on the show helping us understand the stories.
CLIP- This is a great talking point for him in the call of public opinion, but it is not going to go very far in a court of law.
PRESENTER- And Americast of course isn’t just about politics and news, is it? Can we get something in about the more cultural, the social stuff too?
CLIP- It kind of is in keeping with the conversations that we’re having in this country about race and colonialism and the legacy of those things.
PRESENTER- Yeah, as long as you include that I think that about covers what we do.
PRESENTER- And then all I need to say at the end is, Americast is a podcast from 鶹 News and you can find it on 鶹 Sounds.
PRESENTER- Yeah, well you have just said that.
Podcast
Get the latest episodes of the Access All podcast the moment a new episode goes live!
Podcast
-
Access All: Disability News and Mental Health
Weekly podcast about mental health, wellbeing and disabled people.