麻豆社

For thousands of years mankind has erected pillars of public art. Statues exist across almost every culture. To some they pay homage to gods, to others they are attempts at immortalising man. Their toppling has become a symbol of regime change. They are worshipped and prayed to, idolised and in some cases despised. They are a unique art form that has seemingly never gone out of vogue.

Lucy Ash explores the significance of these sculptures and speaks to Jasleen Kaur, a young artist whose art examines if history can be retold through art. In the UK, the Oxford University campaign to remove a statue of the controversial figure, Cecil Rhodes, has sparked a passionate debate around the way we view the past. In South Korea, she speaks to protest sculptors whose statue of a little girl outside of the Japanese embassy in Seoul almost derailed a 10-year Korean-Japanese relations agreement.

Lucy examines why societies insist on placing its people on pedestals. What are the motivations behind the commissioning of statues? And, what sentiment can they project onto a population? Why have the building of statues become pet projects for the politically powerful? And, can culture be exported across borders and can any statue really stand the test of time?

(Photo: Kim Seo-kyung (left) and Kim Eun-sung (right) sculptors of the 'Comfort Women' statue)