麻豆社

麻豆社 Arts Editor Will Gompertz, presents a four-part exploration of almost 1000 years of the British monarchy as told through the objects of art they collected.

In a weekly journey that takes him from the wilds of Balmoral in Scotland to the isolation of Osborne House on the Isle of Wight, from the State Rooms in Buckingham Palace to the Royal Library at Windsor Castle, he selects choice items from the Royal Collection to see what they betray about the art of statecraft and a successful reign.

In each programme historians, academics and Royal Collection curators shed light on the mystery of kingship and the importance of faith, war, magnificence, progress and the people in the minds of monarchs. Each object in the series has its own story to tell and each reveals another aspect to the art of monarchy.

EPISODE TWO
In part two, Will puts the Royal Collection on a war footing as he examines six very different items covering 700 years, that show how the monarchy has rallied their subjects for war and endeavoured to keep the peace.

He starts with a photograph of the young Princess Elizabeth training to be an ATS Officer in 1945, shown to the nation to boost morale but then spools back to the Middle Ages with a clear symbol of martial authority - Edward III's six feet, eight inch long bearing sword.

Henry VIII, Mary Queen of Scots and an elaborate object of apology from the city of Exeter, all form part of the story of the monarchy in arms.

(Image: Ceremonial table salt, known as The Exeter Salt, by Johann Hass. This ceremonial table salt was paid for by the people of Exeter and presented to Charles II (1630-1685) on his restoration in 1660)