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Phil Hebblethwaite explores a history of hoaxes and controversies in classical music that challenges our understanding of creativity and originality.

Phil Hebblethwaite examines five classical musical hoaxes and controversies, from the early twentieth century to the modern day. These are origin stories that have fooled and perplexed some of the greatest experts. In an age of misinformation, when faking it has never been more prevalent, the series unravels the stories of some of the most brazen and confounding composer controversies. What is the appeal of engineering a hoax? And why do we fall for them so easily? It鈥檚 a journey that raises questions about scholarship, authenticity and our faith in expert opinion.

More than 20 years ago, critics began to acclaim the recordings of the pianist Joyce Hatto. One described her as the greatest living pianist. When the fraud was later revealed, it turned out to be one of the greatest instances of plagiarism in the history of the record industry. Phil explores the story of a digital deception.

Written and presented by Phil Hebblethwaite
Producer: Jo Glanville
Editor: Joanne Rowntree
Researcher: Heather Dempsey
Studio Engineer: Dan King

With thanks to Nicholas Cook and Jessica Duchen

A Loftus Media Production for 麻豆社 Radio 4

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14 minutes

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  • Last Thursday 21:45

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