Main content

A Brazilian Soprano in Jazz-Age Paris

Born in Rio de Janeiro in 1902, Elsie Houston arrived in Paris as a 24-year-old and wowed audiences with songs in Afro-Brazilian dialect that fused folk with a soprano training.

Xangô (the god of thunder) and Paso Ñañigo’, composed by the Cuban Moises Simons, were two of the numbers performed by Elsie Houston in the clubs of Paris in the 1920s. Also able to sing soprano in Portuguese, English, French, German, Italian, Spanish, and Russian, Elsie's performances in Afro-Brazilian dialects chimed with the fashion for all things African. Adjoa Osei's essay traces Elsie's connections with Surrealist artists and writers, (there are photos of her taken by Man Ray), and looks at how she used her mixed race heritage to navigate her way through society and speak out for African-inspired arts.

Adjoa Osei is a researcher based at Trinity College, Cambridge. She was selected as a 2021 New Generation Thinker on the scheme run by Â鶹Éç Radio 3 and the Arts and Humanities Research Council to turn research into radio. You can hear her discussing the career of another singer Rita Montaner in this episode of Free Thinking /programmes/m0010q8b and taking part in this Free Thinking discussion From Blackface to Beyoncé /programmes/m000tnlt

Producer: Ruth Watts

Available now

14 minutes

Broadcast

  • Mon 2 May 2022 22:45

Featured in...

Death in Trieste

Death in Trieste

A 1760s murder still informs ideas about aesthetics, a certain sort of sex, and death.

Watch: My Deaf World

Watch: My Deaf World

Five compelling experiences of what it is like to be deaf in 21st-century Britain.

The Book that Changed Me

Five figures from the arts and science introduce books that changed their lives and work.

Download The Essay

Download The Essay

Download all the episodes from the series and listen at your leisure.

Podcast