Rejection and Renewal
As the Cold War takes hold, Alan Bush discovers new opportunities behind the Iron Curtain. With Donald Macleod and Edward Gregson.
As the Cold War takes hold, Alan Bush discovers new opportunities behind the Iron Curtain. With Donald Macleod and Edward Gregson.
All this week, Donald Macleod is in conversation with British composer, Edward Gregson, who offers a fascinating window into his own story and also the life and work of his mentor, Alan Bush. We’ll see how both composers have made significant contributions to Britain’s musical story, and we explore the events that led to the very different trajectories of their careers.
Edward Gregson knew that classical music would be his life after encountering Brahms’s music as a teenager. He studied composition with Alan Bush, and his natural instinct for melody and brilliant orchestral colour have made him a popular choice with audiences and performers across the world. He also prides himself in rising to a challenge, including taking on the leadership of one of Britain’s major musical conservatoires.
In the early part of the 20th century, Alan Bush seemed destined to become of the regular stalwarts of Britain’s music scene, alongside his contemporaries William Walton and Michael Tippett. It was not to be. Bush's conversion to communism put him at odds with the British establishment and sent his career in a very different direction. His story is intriguing and frustrating in equal measure but, Edward argues, Bush’s ever-present political agenda shouldn’t detract from the intrinsic quality of his music.
Today, Bush turns to opera, which brings him enormous success, though not in Britain, where his communist views were being viewed with increasing suspicion. His stage works were staged many times and to huge acclaim in East Germany and the USSR. Donald and Edward reflect on what British audience have yet to discover about Bush and his legacy.
Bush: Three Concert Studies (I. Moto Perpetuo)
Summerhayes Trio
Bush: Violin Concerto (II. Andante espressivo)
Manoug Parikian, violin
Â鶹Éç Symphony Orchestra
Norman del Mar, conductor
Bush: Symphony No 2, ‘The Nottingham Symphony’ (III. ‘Castle Rock’ & IV ‘Goose Fair’)
Royal Scottish National Orchestra
Martin Yates, conductor
Bush: Voices of the Prophets (Nos. 1-3)
Philip Langridge, tenor
Lionel Friend, piano
Bush: Africa - Symphonic movement for piano and orchestra (extract)
Peter Donohoe, piano
Royal Scottish National Orchestra
Martin Yates, conductor
Last on
Music Played
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Alan Bush
Three Concert Studies (I. Moto Perpetuo)
Ensemble: Summerhayes Trio.- MERIDIAN : CDE-84458.
- MERIDIAN.
- 1.
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Alan Bush
Violin Concerto (II. Andante espressivo)
Performer: Manoug Parikian. Orchestra: Â鶹Éç Symphony Orchestra. Conductor: Norman Del Mar.- CLAUDIO RECORDS : CB5151-2.
- CLAUDIO RECORDS.
- 2.
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Alan Bush
Symphony No 2, 'The Nottingham Symphony' (III. 'Castle Rock' & IV 'Goose Fair')
Orchestra: Royal Scottish National Orchestra. Conductor: Martin Yates.- DUTTON : CDLX7306.
- DUTTON.
- 3.
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Alan Bush
Voices of the Prophets (Nos. 1-3)
Performer: Lionel Friend. Singer: Philip Langridge.- REDCLIFFE : RR-008.
- REDCLIFFE.
- 4.
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Alan Bush
Africa - Symphonic movement for piano and orchestra (extract)
Performer: Peter Donohoe. Orchestra: Royal Scottish National Orchestra. Conductor: Martin Yates.- DUTTON EPOCH : CDLX 7306.
- DUTTON EPOCH.
- 3.
Broadcast
- Thu 17 Feb 2022 12:00Â鶹Éç Radio 3
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