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The writer Kit de Waal grew up a Jehovah’s Witness, and it was not a happy experience for her. The painting at the National Gallery she has chosen for her Essay is the 16th-century Christ Before Pilate by the Master of Cappenberg, sometimes identified as Jan Baegert. It captures the moment when Pilate, the Roman prefect, tries to wash his hands of his part in the death of Christ. For Kit, this is a poignant reminder of the sense of not passing muster in God’s eyes which she was carrying for much of her life – and a chain of ritual disavowals running through her own family history.

For this Holy Week series, Â鶹Éç Radio 3 has invited five people to choose a painting of Christ’s passion or resurrection at the National Gallery in London and make it the starting point for their Essay.

Image © National Gallery by kind permission.

The series producer is Kristine Pommert for CTVC.