The Long Goodbye
Donald Macleod explores the life and music of German early Baroque master Heinrich Schutz. The composer attempts to retire – and eventually bids farewell with his Schwanengesang.
Donald Macleod explores the life and music of German early Baroque master Heinrich Schütz. Today, Schütz attempts to retire – and eventually bids farewell with his Schwanengesang.
Heinrich Schütz lived to be 87 – a pretty creditable age even now, but in the 17th century, extraordinary. As he approached his 60th birthday, his thoughts turned to retirement – and pension arrangements. Unfortunately for Schütz, his then employer, Johann Georg I of Saxony, had different ideas – ideas that involved his celebrated kapellmeister continuing to work in much the same way as before, for an unspecified period of time. In the event, it took a change of leadership to bring about the result Schütz so desired; the old Elector died, and in 1657, with Schütz now a grand old 72, the new Elector, Johann Georg II, assented to new arrangements, involving a pension, permission to leave Dresden, and lighter duties. Schütz, though, didn’t rest on his laurels, and some of his greatest music dates from his last years – including his sparse and powerful setting of the Matthew Passion, and his musical last will and testament, a collection of works he himself titled ‘Swansong’.
Auf dem Gebirge, SWV 396 (Geistliche Chormusik)
David Erler, Alexander Schneider, countertenor
Cappella Sagitariana
Hans-Christoph Rademann, conductor
Feget den alten Sauerteig aus, SWV 404; Saul, Saul, was verfolgst du mich?, SWV 415; Komm, heiliger Geist, SWV 417 (Symphoniae Sacrae III)
Dresdner Barockorchester
Hans-Christoph Rademann, director
Ich danke dem Herrn von ganzem Herzen, SWV 424 (12 Geistliche Gesange, Op 13)
Dresden Chamber Choir
Hans-Christoph Rademann, conductor
Jauchzet dem Herren, alle Welt (Psalm 100), SWV 493
Collegium Vocale Gent
Concerto Palatino
Philippe Herreweghe, conductor
St Matthew Passion, SWV 479 (Und Siehe Da, Der Vorhang Im Tempel Zerreib In Zwei Stück)
Paul Elliott, tenor (Evangelist)
Rogers Covey-Crump, tenor (Pilate)
The Hilliard Ensemble
Mein Seele erhebt den Herren, SWV 494 (‘German Magnificat’)
Collegium Vocale Gent
Concerto Palatino
Philippe Herreweghe, conductor
Produced by Chris Barstow for 鶹 Wales
Last on
Music Played
-
Heinrich Schütz
Auf dem Gebirge, SWV 396
Singer: David Erler. Singer: Alexander Schneider. Ensemble: Cappella Sagittariana. Director: Hans-Christoph Rademann.- CARUS 83.232.
- CARUS.
- 10.
-
Heinrich Schütz
Feget den alten Sauerteig aus, SWV 404
Orchestra: Dresdner Barockorchester. Conductor: Hans-Christoph Rademann.- CARUS 83.258.
- CARUS.
- 8.
-
Heinrich Schütz
Saul, Saul, was verfolgst du mich?, SWV 415
Ensemble: Dresden Baroque Soloists. Director: Hans-Christoph Rademann.- CARUS 83.258.
- CARUS.
- 7.
-
Heinrich Schütz
Komm, heiliger Geist, SWV 417
Ensemble: Dresden Baroque Soloists. Director: Hans-Christoph Rademann.- CARUS 83.258.
- CARUS.
- 10.
-
Heinrich Schütz
Ich danke dem Herrn, SWV 424
Choir: Dresden Chamber Choir. Conductor: Hans-Christoph Rademann.- CARUS 83.239.
- CARUS.
- 5.
-
Heinrich Schütz
Jauchzet dem Herren, alle Welt (Psalm 100), SWV 493
Choir: Collegium Vocale Gent. Ensemble: Concerto Palatino. Conductor: Philippe Herreweghe.- HARMONIA MUNDI : HMC-901895.96.
- HARMONIA MUNDI.
- 5.
-
Heinrich Schütz
Und Siehe Da, Der Vorhang Im Tempel Zerreib In Zwei Stück, SWV 479
Ensemble: The Hilliard Ensemble. Singer: Paul Elliott. Singer: Rogers Covey‐Crump.- EMI : CDC 7-49200 2.
- EMI.
- 14.
-
Heinrich Schütz
Mein Seele erhebt den Herren (German Magnificat), SWV 494
Choir: Collegium Vocale Gent. Ensemble: Concerto Palatino. Conductor: Philippe Herreweghe.- HARMONIA MUNDI : HMC-901895.96.
- HARMONIA MUNDI.
- 6.
Broadcast
- Fri 28 Dec 2018 12:00鶹 Radio 3
Beethoven Unleashed – the box set
What was really wrong with Beethoven?
Composers A to Z
Who knew? Five eye-opening stories from Composer of the Week
Five reasons why we love Parry's Jerusalem
What is the strange power of Jerusalem which makes strong men weep?
A man out of time – why Parry's music and ideas were at odds with his image...
The composer of Jerusalem was very far from the conservative figure his image suggests.
Composer Help Page
Find resources and contacts for composers from within the classical music industry.