麻豆社

Suzy Klein reaches the 1930s, when the totalitarian dictators sought to use and abuse music for ideological ends. She looks at the lives of Richard Strauss, Dmitri Shostakovich and Sergei Prokofiev, who produced some of the 20th-century's best-loved music whilst navigating the precarious tightrope of working for perhaps the most terrifying music lovers ever - Hitler and Stalin.

The political message of the classic musical fairytale Peter and the Wolf is revealed as well as the secret code hidden in Shostakovich's quartets and Strauss's deeply personal reasons for trying to please the Nazis.

Suzy also uncovers why Hitler adored Wagner but banned Mendelssohn's Wedding March, how Stalin used music to subtly infiltrate minds and why Carl Orff's Carmina Burana, a Nazi favourite, appeals to our most primitive senses.

Suzy also raises some intriguing questions: can we pin meaning onto music? What are the moral responsibilities of artists? And did the violence and tyranny of those regimes leave an indelible stain on the music they produced?

The stories are brought to life by performances from the 麻豆社 National Orchestra of Wales and its chorus - demonstrating Suzy's argument that music's incredible power to bypass our brains and reach for our hearts makes it a potent and dangerous force.