麻豆社

What is the cost of poetry? Must poets be melancholic, doomed and self-destructive? Or is this just a myth? In our new Book of the Week, Michael Symmons Roberts and Paul Farley - both award winning poets themselves - explore that very question through a series of journeys across Britain, America and Europe.

From Chatterton's Pre-Raphaelite demise to Dylan Thomas's eighteen straight whiskies and Sylvia Plath's desperate suicide in the gas oven of her Primrose Hill kitchen or John Berryman's leap from a bridge onto the frozen Mississippi, the deaths of poets have often cast a backward shadow on their work.

The post-Romantic myth of the dissolute drunken poet - exemplified by Thomas and made iconic by his death in New York - has fatally skewed the image of poets in our culture. Novelists can be stable, savvy, politically adept and in control, but poets should be melancholic, doomed and self-destructive. Is this just a myth, or is there some essential truth behind it: that great poems only come when a poet's life is pushed right to an emotional knife-edge of acceptability, safety, security?

Today the poets explore the lives - and reclusive deaths - of Emily Dickinson and Rosemary Tonks.

Written and read by the authors
Abridged for radio by Lauris Morgan Griffiths
Produced by Simon Richardson.