The Art World's Prankster: Maurizio Cattelan
Maurizio Cattelan's work has bordered on criminal activity and regularly defies good taste. Maura Axelrod's film builds a compelling and intimate portrait of an enigmatic figure.
One of the most provocative and elusive figures in contemporary art finds himself the subject of Maura Axelrod's film. Catapulted to worldwide notoriety in 1999 by The Ninth Hour, a sculpture of Pope John Paul II toppled by a meteorite, Maurizio Cattelan's work has bordered on criminal activity (breaking into a gallery and stealing another artist's work) and regularly defies good taste - Him features Hitler in prayer and sold earlier this year for a whopping 拢12,000,000. Building his career on evasion, trickery and subversion, Cattelan is perhaps not the most reliable of interviewees, but ex-girlfriends, family members, collectors and dealers build a compelling and intimate portrait of an enigmatic figure. Bold, witty and playful as a Cattelan work itself, is this film really all it seems?
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Clips
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Hollywood in Palermo
Duration: 01:54
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La Nona Ora (The Ninth Hour)
Duration: 02:16
Music Played
Timings (where shown) are from the start of the programme in hours and minutes
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00:03
Bonobo
Between the Lines (feat. Bajka)
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00:13
Cassius
Brotherhood
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00:23
Cassius
Les Enfants
Credits
Role | Contributor |
---|---|
Presenter | Alan Yentob |
Series Editor | Alan Yentob |
Executive Producer | Tanya Hudson |
Producer | Maura Axelrod |
Director | Maura Axelrod |