Ann Murray, Stalin's Music Prize
Petroc Trelawny talks to the mezzo-soprano Ann Murray, reviews a new book about musical culture in Stalin's Soviet Union, and Julian Lloyd Webber is on the Music Matters Soapbox.
Last on
Clips
-
SOAPBOX: Julian Lloyd Webber
Duration: 03:49
Chapters
-
Ann Murray
Duration: 21:45
Soapbox: Julian Lloyd Webber
Duration: 04:25
Stalin’s Music Prize
Duration: 15:52
Ann Murray
Petroc Trelawny talks to the Irish mezzo-soprano Ann Murray about her musical upbringing and career in the world’s leading opera houses and recital halls. Acclaimed for her roles in the operas of Handel, Mozart and Strauss, Murray has developed particularly close relationships with the Royal Opera, the English National Opera and the Bavarian State Opera. Her passion for storytelling through song began with an invitation to join Graham Johnson’s Songmaker’s Almanac in the 1970s, and has more recently led to a partnership with the pianist Malcolm Martineau. Murray has also maintained close links with her homeland through the support of young singers at Dublin's Opera Theatre Company, and she performs at London’s Wigmore Hall in April as part of a week-long festival commemorating the centenary of the Easter Rising.
More information:
Ann’s concert at Wigmore Hall will be broadcast in Radio 3 in Concert on 21st April.Photo © Frances Marshall
Soapbox: Julian Lloyd Webber
The British cellist Julian Lloyd Webber is principal of the Birmingham Conservatoire and a passionate advocate for the role of music and musical education in our society. In the latest Music Matters Soapbox, he presents a powerful argument against the ‘scourge’ of background music.
Let us know what you think about the issues raised on the Soapbox - email musicmatters@bbc.co.uk
More information:
Stalin’s Music Prize
Stalin's Music Prize is a new book by the Russian music expert Marina Frolova-Walker, which aims to shed new light on musical, cultural and political life in Stalin's Soviet Union. Using recently declassified sources which show Stalin’s personal role in a bureaucratic and often controversial decision making process, Frolova-Walker explores the annual prizes which were awarded to composers and musicians from 1940-1954 to represent the best in Soviet Culture. Petroc talks to the author, and is joined to review the book by the writer, broadcaster and former Â鶹Éç Moscow correspondent, Martin Sixsmith, and Christina Guillaumier from the Centre for Russian Music at Goldsmiths, University of London.
More information:
Credits
Role Contributor Presenter Petroc Trelawny Interviewed Guest Ann Murray Interviewed Guest Marina Frolova-Walker Interviewed Guest Martin Sixsmith Interviewed Guest Christina Guillaumier Interviewed Guest Julian Lloyd Webber Broadcasts
- Sat 2 Apr 2016 12:15Â鶹Éç Radio 3
- Mon 4 Apr 2016 22:00Â鶹Éç Radio 3
Knock on wood – six stunning wooden concert halls around the world
Steel and concrete can't beat good old wood to produce the best sounds for music.
The evolution of video game music
Tom Service traces the rise of an exciting new genre, from bleeps to responsive scores.
Why music can literally make us lose track of time
Try our psychoacoustic experiment to see how tempo can affect your timekeeping abilities.
Podcast
-
Music Matters
The stories that matter, the people that matter, the music that matters