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Cosmopolis
Drama. Riding across Manhattan in a stretch limo in order to get a haircut, a 28-year-old billionaire asset manager finds his day devolving into an odyssey.
Riding across Manhattan in a stretch limo in order to get a haircut, a 28-year-old billionaire asset manager finds his day devolving into an odyssey, encountering a host of eccentric characters and seeing his huge financial investments collapse.
Meanwhile, his chief of security is highly strung following a series of apparently 'credible' security threats. Who, out there, wants to murder Packard?
Last on
Fri 29 Nov 2019
23:45
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鈥楥osmopolis鈥� interview: The Culture Show's extra footage
Material shot for the arts magazine, with David Cronenberg and Robert Pattinson.
Cosmopolis: More from 麻豆社 News
Credits
| Role | Contributor |
|---|---|
| Eric Packer | Robert Pattinson |
| Didi Fancher | Juliette Binoche |
| Vija Kinsky | Samantha Morton |
| Benno Levin | Paul Giamatti |
| Torval | Kevin Durand |
| Elise Shifrin | Sarah Gadon |
| Kendra Hays | Patricia McKenzie |
| Jane Melman | Emily Hampshire |
| Ibrahim Hamadou | Abdul Ayoola |
| Anthony Adubato | George Touliatos |
| Dr Ingram | Bob Bainborough |
| Shiner | Jay Baruchel |
| Michael Chin | Philip Nozuka |
| Andr茅 Petrescu | Mathieu Amalric |
| Kosmo Thomas | Gouchy Boy |
| Money Channel Interviewer | Jadyn Wong |
| Brutha Fez | K'Naan |
| Director | David Cronenberg |
| Composer | Howard Shore |
| Director of photography | Peter Suschitzky |
| Writer | David Cronenberg |
| Producer | Paulo Branco |
| Producer | Martin Katz |
Broadcasts
- Sun 1 Mar 2015 21:50麻豆社 Two except Northern Ireland & Scotland
- Sun 1 Mar 2015 23:05麻豆社 Two Scotland
- Sun 15 Nov 2015 23:05麻豆社 Two except Northern Ireland & Scotland
- Sun 15 Nov 2015 23:35麻豆社 Two Scotland
- Sun 13 Dec 2015 23:25麻豆社 Two Northern Ireland
- Sat 22 Jul 2017 23:45麻豆社 Two except Northern Ireland
- Sun 28 Oct 2018 00:35
- Fri 29 Nov 2019 23:45麻豆社 Two except Scotland
David Cronenberg talks to Anne McElvoy
Does he see himself as a political commentator, or are his films all about the spectacle?