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19. The Theatres of Cruelty

Episode 19 of 20

A human eyeball in a silver setting gives a striking insight into the theatre of cruelty in Shakespearean time. From May 2012.

A human eyeball in a silver setting provides a striking insight to the theatre of cruelty in Elizabethan and Jacobean Britain.

Object-based history series presented by Neil MacGregor, former Director of the British Museum.

Taking artefacts from William Shakespeare's time, he explores how Elizabethan and Jacobean playgoers made sense of the unstable and rapidly changing world in which they lived.

With old certainties shifting around them, in a time of political and religious unrest and economic expansion, Neil asks what the plays would have meant to the public when they were first performed.

He uses carefully selected objects to explore the great issues of the day that preoccupied the public and helped shape the works, and he considers what they can reveal about the concerns and beliefs of Shakespearean England.

Producer: Paul Kobrak

First broadcast on Â鶹Éç Radio 4 in May 2012.

Available now

15 minutes

Last on

Fri 10 Nov 2023 02:15
Â鶹Éç Radio 4 Extra

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  • Eye Relic

    Watch a short video of the eye relic.

Eye Relic

Date: c.1606

Size: H:62mm, W:46mm

Made in: Unknown

Made by: Unknown

Material: Silver, organic material Ìý

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The most gruesome lines in Shakespeare are often not in the text itself, but in the stage directions. Numerous headless bodies are paraded on stage, limbs hacked off, tongues sliced out, eyes gouged from their sockets.

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Shakespeare’s audience would have been familiar with the brutalities of torture. Traitors were hanged, cut down while still alive and their bodies hacked to pieces in front of blood-spattered crowds.

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This relic was created after one Catholic member of such a crowd managed to grab the eye of Edward Oldcorne, a gentle Catholic priest executed in 1606. His eye is preserved in this delicate silver casing, and this gruesome relic serves as a spine chilling reminder that the gruesome scenes in King Lear, Titus Andronicus and beyond would have been disconcertingly close to the real deal.

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This object is from Stonyhurst College

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Quotations

'Lest it see more, prevent it. Out, vile jelly! Where is thy lustre now?' Ìý

King Lear, Act 3 Scene 7

Background

  • Oldcorne was a missionary Catholic priest who spent 16-18 years hiding and working in Worcestershire before being shopped to the authorities
  • Many executioners worked as butchers in their normal jobs and would regularly handle bits of bodies in front of the crowds
  • The authorities tried to prevent Catholics from picking up executed Jesuits' body parts that could serve as a relic - the bodies were destroyed, not displayed
  • Torture and torturers are mentioned 45 times in Shakespeare's plays
  • There are seven Shakespeare plays in which the stage directions include someone entering with a severed head

More from Radio 4: Criminals

More from Radio 4: Criminals

Justin Champion rifles through the popular murder pamphlets of the Elizabethan era to find out about serial killers, murderers and executioners.

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More from Radio 4: Foxe's Book of Martyrs

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Melvyn Bragg and guests discuss Foxe's Book of Martyrs, the celebrated sixteenth-century account of the suffering of Christian martyrs.

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More from Radio 4: The Jesuits

More from Radio 4: The Jesuits

Melvyn Bragg discusses the Jesuits and their role in the education, art, politics and mythology of the Counter-Reformation.

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Broadcasts

  • Thu 10 May 2012 13:45
    Â鶹Éç Radio 4
  • Thu 10 May 2012 19:45
    Â鶹Éç Radio 4
  • Thu 1 Nov 2012 14:15
    Â鶹Éç Radio 4 Extra
  • Thu 2 Apr 2015 14:15
    Â鶹Éç Radio 4 Extra
  • Fri 3 Apr 2015 02:15
    Â鶹Éç Radio 4 Extra
  • Thu 4 Aug 2016 13:45
    Â鶹Éç Radio 4 FM
  • Thu 10 May 2018 14:15
    Â鶹Éç Radio 4 Extra
  • Fri 11 May 2018 02:15
    Â鶹Éç Radio 4 Extra
  • Thu 9 Nov 2023 07:15
    Â鶹Éç Radio 4 Extra
  • Thu 9 Nov 2023 12:15
    Â鶹Éç Radio 4 Extra
  • Thu 9 Nov 2023 17:15
    Â鶹Éç Radio 4 Extra
  • Fri 10 Nov 2023 02:15
    Â鶹Éç Radio 4 Extra

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