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Four conductors pass the baton in an all-English First Night featuring works by Turnage, Elgar, Delius and Tippett.

Reviving the original film orchestrations for the 1964 film of My Fair Lady, John Wilson returns with his hand-picked orchestra.

Sir John Eliot Gardiner conducts Debussy’s enigmatic masterpiece, Pelléas et Mélisande, with his period-instrument orchestra.

Once more popular than his Messiah, Handel’s Judas Maccabaeus receives its first Proms performance – with period-instrument punch.

Hit and myth: Antonio Pappano conducts his Royal Opera forces in Berlioz’s celebrated operatic epic The Trojans.

Choral group Tenebrae explores 400 years of music evoking the bustle of London’s streets, from Gibbons to the present day.

Daniel Barenboim’s Beethoven cycle concludes with the universal message of the Ninth, on the opening day of the London Olympics.

An all-British Prom including Vaughan Williams’s spacious ‘Tallis’ Fantasia and Walton’s riotous choral Belshazzar’s Feast.

American David Robertson conducts two US classics, including Barber’s enduring Adagio, as well as Tippett’s A Child of Our Time.

One of the great choral classics of Western classical music, Bach’s Mass in B minor, under Baroque specialist Harry Bicket.

Bob Chilcott’s cantata The Angry Planet deploys massed choirs and schoolchildren from across London to voice an ecological theme.

Part concert piece, part theatrical spectacle, Bernstein’s Mass is an unmissable rarity, receiving it first Proms performance.

Bruckner (Sixth Symphony) and James MacMillan (Credo), associated with religious expression, are joined by Wagner’s hymn to love.

Rebecca Evans and Alice Coote appear in Elgar’s oratorio The Apostles with the ±á²¹±ô±ôé under leading Elgarian Sir Mark Elder.

Berlioz’s grand Requiem makes full use of the Royal Albert Hall’s cavernous space, featuring massed choirs and tenor Toby Spence.

A musical introduction to Schoenberg’s epic cantata with Andrew McGregor and musicians from the Â鶹Éç Symphony Orchestra and Â鶹Éç Singers.

Schoenberg’s epic Gurrelieder – a medieval love-tragedy couched in rich post-Romanticism – is conducted by Jiří Bělohlávek.

Russian Vladimir Jurowski conducts Tchaikovsky’s Byron-inspired Manfred; Alice Coote is the soloist in Mahler’s wayfaring songs.

Musicians from the Â鶹Éç Concert Orchestra and the Â鶹Éç Singers present a musical exploration of tonight’s operetta with Sara Mohr-Pietsch.

Gilbert & Sullivan’s The Yeomen of the Guard, one of the duo’s grandest Savoy operas, celebrates London in this Olympic year.

Musicians from ENO provide an illustrated guide to Britten’s first operatic masterpiece. Andrew McGregor presents.

Britten’s Peter Grimes, based in a Suffolk fishing village, transformed British opera. Edward Gardner conducts his ENO forces.

A great way to explore opera for the first time with the Glyndebourne Opera Land team. Suitable for 12- to 18-year-olds.

Join Rachel Leach and musicians from the Orchestra of the Age of Enlightenment for a musical introduction to Mozart’s comic opera.

Mozart’s comic opera in which the Count receives his comeuppance, with Glyndebourne forces under rising star Robin Ticciati.

Popular American choral composer Eric Whitacre makes his Proms debut, as does songwriter Imogen Heap: both bring new works.

A rare opportunity to sing extracts from Adams’s Nixon in China, with Mary King, before Wednesday’s performance of the opera. Suitable for enthusiastic amateurs aged 16-plus.

Writer and broadcaster Rana Mitter, in conversation with journalist Shuyun Sun, discusses the political context of John Adams’s first opera, Nixon in China. Hosted by Louise Fryer.

John Adams conducts his own Nixon in China, based on the US premier’s 1972 Beijing visit, and creating the ‘docu-opera’ genre.